![]() They have four children: a son (born February 2014), a second son (born December 2016), a daughter (born April 2019), and a second daughter (born August 2021). They became engaged in August 2013, and married on December 21, 2013, in Mexico. In September 2012, Webber began dating Australian actress Teresa Palmer after she contacted him via Twitter. Webber and Shaw share joint custody of their son. The end of their relationship inspired Webber to create his film The End of Love, which starred himself and his son and premiered at Sundance in January 2012. Webber was formerly in a relationship with actress Frankie Shaw, with whom he has a son. After the series was ordered, Webber was replaced and the role was recast with Jake Johnson. In March 2019, Webber was cast as Grey McConnell in the ABC crime drama series Stumptown which was written by Jason Richman. He favors "offbeat independent productions and challenging roles that involve intense characterization." In 1989, he and his single mother moved to Philadelphia, where they spent time homeless, living in cars and abandoned buildings, and struggling to survive during the harsh winters. His mother, Cheri Lynn Honkala, is a noted advocate for the homeless in Philadelphia, and was the vice-presidential nominee of the Green Party in the 2012 presidential election. Webber was born in Minneapolis, Minnesota, where he spent the first nine years of his life. He is known for his roles in the films Snow Day, Weapons, The Laramie Project, and Scott Pilgrim vs. He has exhibited at many galleries in the Hamptons and is in several private collections on the East Coast. Webber resides in Sag Harbor, NY.Mark Allen Webber (born July 19, 1980) is an American actor. He received a BFA in sculpture at SUNY, Purchase. Webber studied under Charles Ginnever and Peter Forakis at Windham College in Vermont. Are the abstract pieces a reflection of the struggle to make sense of it all? To create order internally, yet letting it fall apart. I think as people, we respond to art that we can relate to in some way. ![]() ![]() Making art is not a solo endeavor, although it might appear that way, but it is a relationship to the material, to the landscape, to the people around me, that are in constant change, and constantly challenge me to change. In a way, if one definitively knows why a piece works, then actually it doesn’t. There exists a “natural” conflict, like all relationships, which I accomplish with the use of different materials and the ways I bring them together. At times my art is serious, yet at the same time whimsical. I was never instructed as to what works or doesn’t work in a classical ART sense. My work using stone, steel, copper, and wood are about nudging existing materials towards a higher level of expression and taking these common, unrelated materials and placing them so that they create a totally new, unexpected relationship with the hydrocal - that is art. My hydrocal pieces are about creating something from nothing (hydrocal powder and water). So to state that the highest level of expression is to nudge something that already exists is enlightening, but to simultaneously disdain art that creates something from nothing is perhaps closed-minded. With all movements, you need to define what it is you are rebelling against. Ufan was part of a movement called Mono-ha or translated literally “the school of things”. "The highest level of expression is not to create something from nothing, but rather to nudge something that already exists so that the world shows up more vividly."-Lee Ufan. Perhaps the best way to make an artist statement is to write about what my art is not or where its roots may have originated, or has been better said than I could ever do so. ![]()
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